AUTHORS: Becca Wood
Becca Wood has been working in performance practices that slip between bodily, spatial and digital environments for the past 25 years. She coined the term ‘choreoauratics’, a practice that fuses somatically informed choreography and sonic investigations with philosophies of listening, the body, place, digital technologies and sociality. Framed as critical spatial practice, theories and codes of space and place, the body, and digital technologies intersect to imagine new possibilities in inter-modal performance arts. At the time of writing Becca is lecturing at the School of Performing and Screen Arts, Creative Industries, Unitec following a brief time living and working in the UK in Dance at Coventry University.
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