She is the Sea
a poetry pamphlet with one shoreline essay and one riverbank essay
​
Crab & Bee
Helen Billinghurst & Phil Smith 

"We seek in our poetry the inconvenient and cussed things in the urban flow – rusting boats, bin bags caught in trees, the rhythm of an allotment – that work as creative inhibitions and poetic drags upon short-termist thrills and self-destructions. We season pleasure with ’jouissance’; and within the exceptional joys of our adventures and through the rush of the over-excited climate crisis, conjure a reminder of the death we have in common."
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"For us, walking is something much closer to Butoh dance than a ramble or an afternoon stroll; we do not shy away from unsung, abject places in extreme distress, we engage with the grotesque and hilarious.

​We use our bodies – not just our senses, but also the sheet of fascia, jelly and gristle inside us – as hypersensitised litmus paper for detecting the signal hidden within the signal; a covert pattern we are coming to understand as the map that has always been partly there, guiding our walking; a choreography we simultaneously follow and invent." 
Publication: December 2019
List Price: £5.00 
Format: ~ Paperback - 48 pages
Size: 12.7 x 20.3 cm
ISBN: 978-1-911193-71-5
Tags: walking, walking arts, Plymouth, magical mode, drift, dérive, mythogeography, falling, imbalance, psychogeography,  improvisation, alyson hallett, phil smith

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About the authorsSee our other books on Walking

Readership

She is the Sea​ is for walking artists and writers, ecologists, ecosensualists, residents of, and visitors to, Plymouth, anyone interested in:​   mythogeography  & psychogeography  ~  radical walking  ~  walking as poetry  ~  the aesthetics and practice of civilisational collapse.
Walking and movement artists often stumble when they describe the modes and registers of perception and expression they adopt in their practice. The attempt to represent their experience can end in a kind of somatic soup.
 
Crab & Bee eschew the soup and, in this little book of poems and essays − the prequel to their forthcoming book The Pattern (2020) – they give us clear hints of where and how they find and make meaning in their work. They tell us, for example, that:
 
  • the interpenetration of our human lives with the movement of the planet’s watery channels (seas, rivers, underground watercourses, etc.) is constant, ubiquitous and important
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  • the movement of water connects so-called ‘privileged points’, actual landscape features and actual moments whose existence and potency has been keenly experienced by humans, more anciently than recently
 
By reconnecting with the movement of the waters and with these privileged points, Crab & Bee re-engage with a ‘magical mode’. This is what they invite us to share in their walks, prose and poetry.
 
They suggest that the challenge (not just for walking artists but for all of us in a climate emergency) is to dissolve our artistic or habitual/life practice, to “sink into the dark forest beneath our feet”, to embed ourselves in the grander patterns, systems and flows of our wet planet, to “feel our way, but also to allow what we feel to feel us, and direct us by its flows”.
 
In this book they give us a glimpse of how to do exactly that.