On Walking... and Stalking Sebald 
Author: Phil Smith
Imprint: Triarchy Press
Extent: 198pp. Paperback
Size: 15.2 x 23 cm
ISBN: 978-1-909470-30-9
List Price: £12.99  Use code to save 20%
Delivery Update
​Because of Covid-19, we STRONGLY RECOMMEND that you order ebooks rather than print copies until further notice. (The ebook option is below.) Good news: It's cheaper, you get it today and pay no postage.

Buy the Paperback:

Save 20% when you buy direct from us. Use promotion code tpdirect at checkout for an automatic 20% discount.
Quantity: 
In North America, order from our distributors, IPG here

Buy the ebook (£5)

Click the pdf or ePub 'buy button'. Once you have paid, look for an email (check your spam folder) with a link to download the file.
pdf ISBN: 978-1-909470-58-3​
​version: bookmarked pdf
(pdf text retains the printed book's format and pagination but cannot be edited, printed or copied)
ePub ISBN: 978-1-909470-31-6 
(ePub text reflows to suit your digital device, losing the printed book's format and pagination)
Tags: sebald, walking, drift, dérive, wrights & sites, mis-guides, phil smith, mythogeography,  psychogeography.
“a life-changing beautiful book!”
Avi Allen, Director at Capel y Graig 

On Walking... and Stalking Sebald
A guide to going beyond wandering around looking at stuff  
Phil Smith

To get started - choose a foot.

Phil Smith of Wrights & Sites' fame (and otherwise known as Crab Man, Mytho and Anton Vagus) is not the first to walk in the footsteps of W.G. Sebald, whose The Rings of Saturn is an account a walk round Suffolk 20 years ago. 

What is remarkable is that Phil's own walk was quite as extraordinary as Sebald's and that he matches Sebald's erudition, originality and humour swathe for swathe. 

On one level On Walking... describes an actual, lumbering walk from one incongruous B&B to the next, taking in Dunwich, Lowestoft, Southwold, Covehithe, Orford Ness, Sutton Hoo, Bungay, Halesworth and Rendlesham Forest - with their lost villages, Cold War testing sites, black dogs, white deer and alien trails. 

On a second level it sets out a kind of walking that the author has been practising for many years and for which he is quietly famous. It's a kind of walking that burrows beneath the guidebook and the map, looks beyond the shopfront and the Tudor facade and feels beneath the blisters and disgruntlement of the everyday. Those who try it report that their walking [and their whole way of seeing the world] is never quite the same again. And the Suffolk walk described in this book is an exemplary walk, a case study - this is exactly how to do it. 

Finally, on a third level, On Walking... is an intellectual tour de force, encompassing Situationism, alchemy, jouissance, dancing, geology, psychogeography, 20th century cinema and old TV, performance, architecture, the nature of grief, pilgrimage, World War II, the Cold War, Uzumaki, pub conversations, synchronicity, somatics and the Underchalk.
 As the author says:
"If your walking is part of someone else’s machine, if you have already donated your body, with or without its organs, to routines, chores, necessities and obligations; then walk this way. 

If, when you do have free time you ‘spend’ it following maps, guidebooks and timetables, travelling to events with fixed locations and start times, keeping to footpaths and off the grass, completing and competing, always knowing where you are going to end up; then walk this way.

For there is a ramble inside the ramble; a shadowy path to be found hidden inside every guidebook (including this one)."    
“bound to become an indispensable companion to the walking artist”  
Airspace Gallery, Stoke-on-Trent

Read more:

About the author
A sample chapter
Another chapter
5 Ways to Use a Map

Reviews of On Walking

See our other books on Walking
“Walking with Phil is like having my very own Doctor Who”  
(Siobhan Mckeown, film maker and dj Shibby Shitegeist)

Readership

On Walking... and Stalking Sebald is a book for walkers and ramblers, admirers and decriers of Max Sebald, Situationists and dérivistes, artists and [site-specific] performers who use walking in their work, students who are discovering and studying a world of resistant and aesthetic walking, anyone troubled by official guides to anywhere, geographers, urban explorers and activists who don’t want to drive to the revolution.